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                <text>Lange, Edward (1846-1912) [Artist]</text>
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                <text>View from Stony Brook, Long Island</text>
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                <text>Signed lower left corner, "Edw. Lange Elwood. Suff. Co. NY"</text>
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                <text>9.25 x 15.5 in.</text>
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                <text>Edward Lange, "View from Stony Brook, Long Island", n.d., Lead pencil and watercolor on paper, 9.25 x 15.5 in., Brooklyn Public Library, Center for Brooklyn History,  M1974.255.1</text>
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                <text>Lead pencil and watercolor on paper showing a panoramic view of Stony Brook and the harbor. Foreground filled with assorted forest trees, tops of several structures peeking out from the canopy, pond with road beyond on far left side. Midground shows a collection of buildings on either side of a body of water, several of which in waterfront locations appear to be mills, small hill to far left side with white house nestled among trees below, fields to far right beyond the clustered buildings with forested areas beyond. Background shows forested areas on the far side of the winding body of water, residences and other structures dotting its far shore, view of the harbor visible just before the horizon line with the masts of several ships in the center background; sky above painted with several light and dark clouds. Artwork bordered with a thin white line.</text>
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                <text>Lange, Edward (1846-1912) [Artist]</text>
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                <text>ca. 1888 </text>
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                <text>New York: Suffolk County; Town of East Islip; Babylon</text>
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                <text>Harbor; Resort; Boat; Marine; Composite; Albumen; Sailboat; Waterscape; Business; Hotel; Robbins, J. James</text>
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                <text>Signed lower left of bottom image, "Edw. Lange. Art. Elwood. L.I. N.Y."</text>
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                <text>Edward Lange, "J. James Robbins", ca. 1888, Ink on paper, 5.5 x 8.4375 in. (unframed), Long Island Museum</text>
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                <text>Photoengraved print, ink on paper, showing ten vignettes and scenes around Babylon. Central image of the group takes up the lower half of the print and features a panoramic  view of  Babylon from an aerial perspective above the Great South Bay, labeled along top in center "View of Babylon L.I. from the Great South Bay." with smaller labels along the top noting churches,  hotels, and other locations seen in the panorama, including "The Argyle", "Bapt. Ch.", "Cath. Ch.", "Meth. Ch.", "Presb. Ch.", School H.", "Saw Mill", "Old Grist Mill", and "Effingham Park", residences of F.H. Kalbfleisch, W.F. Kingsland, and Hon. J.R. Reid also noted. In the center of the top half of the print large banners in between the vignettes read, "J. James Robbins. Insurance. Real Estate. Babylon. L.I. N.Y."; scene in top center shows a view of The Argyle hotel and beneath it a view of Fire Island from the water; to the left side of the top are four vignettes showing a grist mill, the Watson House, a cottage located on Bayview Avenue, and the village sprinkling cart; to the right side of the top are three vignettes showing Babylon's Main Street, an LIRR steam engine, and several carriages on a road labeled "Driving between Babylon &amp; Bay Shore". Also included in this collection is a depiction of a lightbulb labeled, "Electric Light". Entire print created from an original collage of pen and ink drawings by using a photoengraving process, this example printed as letterhead and includes a handwritten note signed by J.James Robbins.</text>
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                <text>Signed on top of the bottom center picture, "For Sale by Edw. Lange. Elwood. Suff. Co. N.Y. (Copyrighted)"</text>
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                <text>Albumen composite print featuring seven scenes in and around Cold Spring Harbor. Central panoramic image looks out into the harbor, pedestrians on dirt road in foreground, framing groups of trees on right and left of midground, view out to horizon line extends out into the harbor with boats dotting the water. Top three images show views of "The Docks." to the left, the hotel "The Laurelton" from the waterfront in the center, and "The Episcopal Church" also along the waterfront to the right side. Bottom three images show a view of the hotel "The Glenada." to the left side with a carriage moving along a winding road up a hill to the resort, a small view of a tidal mill in the center, and a view of "Forest Lawn." to the right side with a large multi-story structure nestled among trees and surrounding by several smaller structures. Borders between each inset vignette detailed with white and black gouache highlights.</text>
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                <text>Edward Lange (1846-1912). Sag Harbor. L.I., ca. 1884. Albumen photographic print, 4.75 x 7.5 in. (unframed); 8 x 10 in. (unframed w/ backing); 8.75 x 11.25 in. (framed). Preservation Long Island, Z.2021.2</text>
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                <text>Albumen print on thin paper depicting multiple views of Sag Harbor and several major buildings. Center image is a panoramic view of Sag Harbor from across the water, two men pulling a boat ashore in foreground to right, several additional sailboats moving across harbor, tree on right side, wharves and town visible in the midground and background, large steamship docked to far left, sky dappled with clouds, titled at bottom in white pigment "Sag Harbor". Five images line the bottom of the print; far left is sketch of The Whaler's Church (Presbyterian) with steeple intact, to its right is a view of the Episcopal Church, center image titled "The Watch Case Factory" and depicts a three-story factory building with mansard roofing located on the corner of a large intersection, to its right is a sketch depicting the "Union School" with signage labeled "D.B. Wiggins || Tuckers", and to the far right is a view of the Methodist Church. Print adhered to original cardboard backing.</text>
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                <text>Edward Lange (1846-1912). Charles Jones' Sloop, 1882. Watercolor on paper, 14.5 x 17 in. (unframed); 18 x 20.4375 in. (framed). Preservation Long Island purchase, 2010.4&#13;
&#13;
The conservation of (this work) was supported through the NYSCA/GHHN Conservation Treatment Grant Program administered by Greater Hudson Heritage Network. This program is made possible by the New York State Council on the Arts with support of the Office of the Governor and the New York State Legislature. Additional support is provided from the Robert David Lion Gardiner Foundation.</text>
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                <text>Watercolor on beige paper with lead pencil highlights depicting a sloop. Foreground depicts choppy water in blue, black, and white pigment. Midground focused on a single-mast sloop pointing to the left, sails furled, towing a small dinghy; Man standing on deck, leaning back on the boom and facing the viewer; smoking pipe with hands tucked into waistband; According to family history this is Charles S. Jones, great-grandfather of Hal Wilson, consigner of the painting to Preservation Long Island; Two ships in the distance behind the sloop, the coastline visible in the background is lightly wooded and painted brushily with green and grey pigment. Clouded sky fills upper two thirds of the painting above the horizon line. Frame and backing are original to the artwork.</text>
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